The 3-3-2 GROOVE
The 3-3-2 groove is extremely common, simple, and fun - but it's a bit confusing without a little explanation.
The meter is quadruple of course.
The usual time signature used is 4/4
- Four quarter notes per measure.
- Split that and you get eight 8th notes. Notice: we usually group those, quite logically, into four pairs of 8ths. Makes sense: four quarters get divided into eight 8ths. That can be counted as 2+2+2+2:
- But eight is a large number and can be divided in all kinds of ways. For instance: 3+3+2:
It looks like this on the staff:

“et voila!” a new rhythm, within the same time signature. It feels completely different and if you try to count it in the usual way for quadruple meter, you're going to have a hard time. That is why I list this idiomatic pattern out separately.
Now, one of the cool things about 3-3-2 is that it often is played WITHIN a regular quadruple meter song. The contrast of the usual patterns with this one creates a fascinating texture. But you wanna learn this by itself first before attempting to make plyrhythms with it.
How you count it:
The 3-3-2 pattern is so - just different - from regular old quadruple 4/4 that trying to count it as such is both uncomfortable and confusingly off-point. Simply count it “1 2 3, 1 2 3, 1 2”
Below are play-along Rhythm Backing Tracks
3-3-2 Groove based on Clocks by Coldplay
1. Rhythm Backing Track in Quadruple Meter - Clocks, 3-3-2 groove - 90BPM
2. Rhythm Backing Track in Quadruple Meter - Clocks, 3-3-2 groove - 110BPM
3. Rhythm Backing Track in Quadruple Meter - Clocks, 3-3-2 groove - 131BPM:
ORIGINAL TEMPO of Clocks.
Quadruple Idiom Groove 2:
TBD
Quadruple Idiom Groove 3:
TBD